My most recent work was the Radio 4 play The Dad Who Fell To Earth.
As well as the Sony nominated radio script for Moths Ate My Doctor Who Scarf (see the appropriate page) I wrote a play for From Fact To Fiction strand for Radio 4. Entitled The Public Purse it was a response to the bankers’ bonuses scandal and conceived on the Monday, written on the Tuesday, Wednesday and Thursday and recorded on the Friday before being broadcast on the Saturday. Talk about a roller coaster! It was something of an honour to be asked to contribute to this illustrious series.
RUNNING THROUGH CORRIDORS VOLUME ONE – OUT NOW!
Mad Norwegian Press have announced a three volume trawl through the entire history of Doctor Who, written with popular Doctor Who script and audio writer Robert Shearman. Running Through Corridors was written throughout Doctor Who’s gap year, 2009, and features the two friends seeking to rediscover what they love about a batty kids’ science fiction show, starting with the first two episodes on New Years Day and culminating in David Tennant’s swansong exactly one year later. Volume One concentrates on the 1960s and is available now. Volume Two (covering the 1970s) is due in November 2011.
“It’s a journey to rediscover why they love Doctor Who from two renowned wits that only adds to the feeling of a genuine conversation between friends. The real triumph of the format, though, is the way it continually throws up topics and observations not previously covered by the forest of literature on this show – 4 STARS” – Paul Kirkley, SFX Magazi
“Just got Running Through Corridors. Bloody superb! Everybody, get it. Not only a great read, but with those stick figures in the corners it’s a retro flip-book as well. You spoil us.” – Doctor Who writer Andrew Smith, Twitter
“It really is one of the very best things I’ve ever read about “Doctor Who”. If not possibly the best! I’m delighting in seeing two people I respect enormously discovering and enjoying the series in a new way. They’re re-evaluating opinions and understanding material in a different context … but above all else they’re really getting a helluva lot out of the experience of doing it.” – All round Doctor Who oracle Andrew Pixley, Gallifrey Base
“Whether Rob and Toby like something or not, their opinions, observations (and arguments) are usually fresh and new. We’re lucky to have such enthusiastic and intelligent commentators with whom to take this journey. Quite simply, this is one of the best books about 1960s Doctor Who you’re ever likely to read. This is what the word “essential” was coined for. I look forward to Volume 2.”– Elton Townend-Jones, kasterborous.com
“STUNNING! Not only a perfect, wonderful book, but its a must for any TARDIS Console table. It is a breathtaking romp through TV’s finest hours – a wonderous tome even for the non fans, as it will show you exactly what you’re missing ..and how to spot a Monoid at 300 yards.” – John Hadlow – film reviewer BBC radio
Sketches for both The Unbroadcastable Radio Show at The Comedy Store, and Bastard Funny at The Green Room. Links for Angus Deayton for BBC 1’s 6 part series The Comedy Sketchbook, and also the script for BBC 2’s The Comedy Christmas. The script for the radio adaptation of Moths Ate My Doctor Who Scarf was nominated for a Sony Award.
Reviews and articles for DVD Monthly, Doctor Who Magazine, SFX, and obituaries for The Guardian and The Independent. These include pieces on the actors Frederick Jaeger, Michael “Mr Bronson” Sheard, Anthony “The Master” Ainley, Bob Mason, Michael Billington, Nicholas Courtney , Elisabeth Sladen, Roy Skelton, Michael Gough, Ray Lonnen and Bernard Kay. I have done similar entries for special effects pioneers Jack Kine and Bernard Wilkie, poet and stand-up Hovis Presley, writer and producer Brain Clemens, designer Ray Cusick and Doctor Who producer Barry Letts.
Then there’s a bit of blogging for SFX, reviews and columns for Doctor Who Magazine, factual articles to the BBC Comedy website, and much of the literature for the Experience Design Doctor Who exhibitions.
Adaptations of both 1984 and Accidental Death Of An Anarchist for the stage. Both were very successful, and there’s a bit about Anarchist in the acting section. Most lines and characters in the stage play Sherlock Holmes In Trouble were improvised in rehearsal (again, see acting section for details).