I was very saddened to learn of the death of Terence Bayler. He was a fine actor: tall, handsome, with soulful eyes and a slight warble to his voice which could suggest plummy aristocracy or a hint of melancholy. He often played upper class toffs or British officers so I was shocked to discover, when I was invited to his home in 2013, that he retained the kiwi twang which gave away his working class New Zealand roots. I spent a delightful afternoon with him and his lovely wife Valerie, herself a talented actress (who also makes very nice muffins).
He was of course best known for his brilliantly funny contributions to Monty Python’s Life of Brian (1979) and for the key role of Macduff in Polanski’s bloody take on Macbeth (1971). He appeared in everything from Rutland Weekend Television (1975/76) to Lipstick On Your Collar (1993) via Upstairs Downstairs (1975) and had an enviable stage career too. He also told me my favourite Cyril Shaps anecdote ever.
He was nothing like most of the parts he played – he was extremely self effacing, down-to-earth and softly spoken. Unfailingly polite too – always ringing to thank one for an encounter or card or note. His approach to the profession was interesting too – he wasn’t an actor for any reason other than he figured that he could earn a living doing it. He was as happy in the garden or making things out of odds and ends as he was anywhere else.
I liked him a lot. I had contacted him because he played twice in Doctor Who, as a slave who met a sticky end (he was amused that a fan wrote to him about playing “the doomed Yendom”) in 1966’s The Ark opposite William Hartnell and as Major Barrington, one of his many military characters, exuding decency and stiff-upper-lipped resolve with just the right level of pathos in The War Games (1969). Both characters don’t get past a single episode but both performances are good and it’s nice to have him pass through the show playing such different roles.
I have gone into further detail in my Guardian obituary here, but there is no place for the more personal reminiscences in such a piece. I found Terry to be such a kind and gentle man : I was extremely touched to see him and Val waiting outside the Garrick theatre after my performance there. I’m blessed and flattered to have had such encounters with people whose work I have admired over the years – though it makes moments like this all the sadder. My condolences to Val and to his family (his daughter Lucy is an actress who had a four month stint in Eastenders as Elizabeth Beale in 1988 – and popped up again recently as a different character).
My 2013 interview with Terry can be downloaded for free from Big Finish here.